Tabitha Nikolai’s Ineffable Glossolalia is an experience composed of what its title promises, circling the inexpressible in a language yet to be learned.

There’s something truly “not fun” about a game that begins with a David Foster Wallace quote, but like some of the most challenging and insightful games, Zoe Quinn and Patrick Lindsey’s Depression Quest (2013) is not about fun.

An untamed digital parade of pixel hieroglyphs streams across my monitor in Jake Clover’s latest poetic short game, The Missing Pharaoh. As always, I ask “what is this experience like?” and “what is the heart of this game?”

If indie game designer thecatamites' seminal JRPG punk-nightmare Space Funeral (2010) is The Velvet Undergound & Nico of weird/outsider games, then how should we consider their fantasy RPG Magic Wand?

In Basma-Lord’s visions, there are no boundaries. G4S is a Twine interactive fiction art installation that fuses text, still image, and moving image into a murky, unreal surface of interaction.

Fence Digital’s new column, “Digital Correspondent,” seeks guest writers to unearth digital art, literature, and music that explores the emergent “thingness” of the digital.

Extinction Renaissance is James Ferraro’s vision of an automated, post agrarian future.

Drawing on motifs from Eugene Thacker's In the Dust Of This Planet, the Virtual Reality experience, DUST positions the observer in the perspective of particles clinging to a dancing figure.